翻訳と辞書
Words near each other
・ Jones Middle School
・ Jones Mill Run Historic District
・ Jones Mill Site
・ Jones Mill, Arkansas
・ Jones Mill, Burlington County, New Jersey
・ Jones Mill, Virginia
・ Jone Railomo
・ Jone Salinas
・ Jone Samuelsen
・ Jone Spartano
・ Jone Tawake
・ Jone Usamate
・ Jone Wesele
・ Jonel
・ Jonel Désiré
Jonel Perlea
・ Jonel Scott
・ Jonell
・ JoNell Kennedy
・ Jonelle Allen
・ Jonelle Filigno
・ Jonelle Layfield
・ Jonelle Price
・ Jonen
・ Jones
・ Jones & Bartlett Learning
・ Jones & Collins Astoria Hot Eight
・ Jones & Furbringer
・ Jones & Jury (TV series)
・ Jones & Stephenson


Dictionary Lists
翻訳と辞書 辞書検索 [ 開発暫定版 ]
スポンサード リンク

Jonel Perlea : ウィキペディア英語版
Jonel Perlea

Jonel Perlea (13 December 190029 July 1970) was a Romanian conductor particularly associated with the Italian and German opera repertories.
Born Ionel Perlea to a Romanian father, Victor Perlea, and a German mother, Margarethe Haberlein, in Ograda, Romania, he moved to Germany with his mother and his brothers after his father died. Perlea was five years old, or according to some sources, ten years old.〔(【引用サイトリンク】title=Ionel Perlea )
He studied in Munich, then in Leipzig. He made his debut at a concert in Bucharest in 1919, then worked as répétiteur in Leipzig (1922–23) and Rostock (1923-25). His operatic debut as conductor occurred in Cluj-Napoca in 1927, when he directed ''Aida''. The following year he made his first appearance at the Bucharest Opera, and was music director of that theatre from 1934 until 1944. He conducted several Romanian premieres of notable foreign masterpieces, such as ''Die Meistersinger von Nürnberg'' and ''Der Rosenkavalier''. Now and then he made guest appearances in Vienna, Stuttgart, Breslau, Berlin, and Paris.
In 1944, he and his wife were arrested in Vienna, Austria, while on their way to Paris. They were held under house arrest, or according to some sources, sent to Mariapfarr concentration camp, until the end of the war.〔
After the Second World War, he conducted mostly in Italy, notably at La Scala in Milan (1947–52; his first appearance there was in ''Samson et Dalila''). In Italy, too, he conducted several local premieres such as ''Capriccio'' in Genoa, ''Mazeppa'' and ''The Maid of Orleans'' in Florence. He championed the new opera ''I due timidi'' by Nino Rota (better known as a composer of numerous film scores). For the 1949-50 season he was guest conductor at the Metropolitan Opera, giving performances of works such as ''Tristan und Isolde'', ''Rigoletto'', ''La traviata'', and ''Carmen''.
Following a heart attack and a stroke in 1957, he learned to conduct with his left arm only, and preferred to concentrate on giving concerts and making records. He taught at the Manhattan School of Music from 1952 to 1969.
He died in New York City in 1970, aged 69.
==Selected recordings==

* 1954 - ''Manon Lescaut'' - Licia Albanese, Jussi Björling, Robert Merrill - Rome Opera Chorus and Orchestra - RCA Victor
* 1955 - ''Aida'' - Zinka Milanov, Jussi Björling, Fedora Barbieri, Leonard Warren, Boris Christoff - Rome Opera Chorus and Orchestra - RCA Victor
* 1956 - ''Rigoletto'' - Robert Merrill, Roberta Peters, Jussi Björling, Giorgio Tozzi - Rome Opera Chorus and Orchestra - RCA Victor
* 1966 - ''Lucrezia Borgia'' - Montserrat Caballé, Alfredo Kraus, Shirley Verrett, Ezio Flagello - RCA Italiana Opera Chorus and Orchestra - RCA Victor
Perlea also recorded for Vox during the 1950s, notably leading the accompaniments in concerto recordings of artists such as Gaspar Cassadó, Guiomar Novaes, and Friedrich Wührer.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
ウィキペディアで「Jonel Perlea」の詳細全文を読む



スポンサード リンク
翻訳と辞書 : 翻訳のためのインターネットリソース

Copyright(C) kotoba.ne.jp 1997-2016. All Rights Reserved.